CARREFOUR DES POSSIBLES
Yesmine Ben Khelil and Lisl Ponger
Project statement at the Parallel Vienna 2018
art shelf: Enrico Floriddia, Wassim Ghozlani, Rania Werda
Lassallestraße 1, 1020 Wien
Second floor, room number 247
25th – 30th september 2018, 12am – 7pm
philomena+ presents the exhibition „Carrefour des possibles“ with Yesmine Ben Khelil and Lisl Ponger who both question clichés and take a critical view on our capitalist society. Lisl Ponger translates a 17th century Spanish still-life into a contemporary photography in a neoliberal, postcolonial and globalized setting. Yesmine Ben Khelil tells through her work Tunisian stories connecting the past, present and the future and oscillates between reality and fiction.
On the art shelf philomena+ shows works by Enrico Floriddia, Wassim Ghozlani, Patrick Timm and Rania Werda.
Preview PRATER STERN STUNDEN
artistic interventions at Praterstern
02/16 – 04/22/2018
artists: TANJA BOUKAL, MARKUS HOFER, RAHI SINAKI, PATRICK TIMM
photographer: Abdulrab Habibyar
curated by Christine Bruckbauer
assisted by Aline Lenzhofer
In spring and summer 2018 philomena+ realizes a series of artistic interventions at the Vienna Praterstern.
The exhibition at philomena+ project room offers a preview of the site-specifically conceived projects which aim to make utopias and dreams at an inhospitable place true, even if it’s just for a short period of time.
exhibition venue: philomena+ project room, Heinestraße 40, 1020 Vienna
opening hours: Th, Fr 2pm – 7pm and Sa 10am – 3pm,
or by arrangement +43-(0)664/1431453
Attokoussy الطقوسي (Part II)
Hassad al Houb / Labour of Love, 2017
curated by Elisabeth Piskernik and Gabrielle Camuset
le Cube – independent art room/ Rabat
Mohammed Laouli creates with the video << Hassad al Houb / Labor of Love >> an interface between the arduous work of Moroccan women in the production of rose water and a text of the feminist activist Sylvia Federici. In the artist’s work, we see a ritual in which a miraculous rose water is produced that symbolizes a cure against patriarchal, sexist, and capitalist thinking. This water, presented in little flacons in philomena+ showcases, is intended to release the viewer from these thoughts.
Mohammed Laouli was born in 1977 in Salé, Morocco, where he still lives and works today. He studied philosophy in Rabat. His artistic work focusses on social marginalized groups and has received high recognition in the international arena.
<< Attokoussy >> is the Arabic epitome for practices and rituals of faith. The art project with the same title is a collaboration between the independent art space Le Cube in Rabat and Hinterland Gallery in Vienna. It deals with the so often ethnically and archaically connoted theme by the use of new artistic approaches. In September 2017 an artist residence programme in Marrakesh, organised by Le Cube, gave the opportunity to several artists from Morocco, Austria and Australia to confront the local practices of faith and to transform these experiences into and drawings where the past and the present merge with each other. One of them is the video work << Hassad al Houb / Labor of Love >> by Mohammed Laouli.
Opening: Thursday, 16th of November, 2017, 10am (coffee&cake)
Introduction: Elisabeth Piskernik, Le Cube, Rabat, Morocco
venue: philomena+ showcase, Heinestraße 40/7, 1020 Vienna, +43(0)664-1431453
The entire exhibition «Attokoussy» in the Galerie Hinterland, Krongasse 20, 1050 Vienna will stay open until Dec. 23rd, 2017.
Attokoussy is part of the Vienna Art Week 2017.
Demanding the Impossible at Unexpected Turns
10/04 – 10/27/2017
artists: ZANNY BEGG & OLIVER RESSLER, VALIE EXPORT, ADELA JUSIC, THAER MAAROUF, CENGIZ TEKIN
curated by Gülsen Bal and Walter Seidl
In a world, where the impossible seems possible, when something that has been repressed for a long time, steps out of the unconscious and seems to get radicalised through the extreme right, artists are more than ever prompted to dedicate themselves to a future, where anti-intellectualism is at stake and critical thinking no longer accepted. What will come after Trump, Brexit and ISIS? Which forms of radicalisation are constituted and how has our perspective on a liberal, open society changed? How can artists reclaim this open society and which conflicts arise along economic, technological and medical progress, which makes us want to live longer but prevents us from thinking critically?
Artists are in constant need of demanding new models of gauging how the world can be seen from a different perspective than the one, which is determined, by dominant models of power, politics or religious beliefs. The latter often cause unexpected turns that shift societies into different directions, which might not even be accepted by a majority of voters and/or the population. Ever again, societies and certain population groups are trapped in a “state of exception”, as Giorgio Agamben put it in 2005. This state of exception, however, has continued to the present day and rather turned into a “state of emergency, which might not be overcome in a near future.
The artists whom are taking part in the exhibition tackle these questions implicitly and try to generate various models, which claim for a different status quo to open up new possibilities and areas of thought at the prelude to further urgent hopeless transformations and the voids that carry certain disappearances within unexpected turns.
produced by open space
opening hours: Friday and Saturday 13.00 – 18.00 and viewing is available by appointment only for the rest of the weekdays. Admission free
venue: philomena+ project room, Heinestraße 40/7, 1020 Vienna, Austria, +43-(0)-664/1431453
<< Harraga حراقة >> at Parallel Vienna 2017
09/19 – 09/22/2017
artists: SAHAR BARDAIE (IRA), YESMINE BEN KHELIL (TUN), ARMIN MOHSEN DANESHGAR (AUT/IRA), PATRICIA K.TRIKI (TUN), HELA LAMINE (TUN), RANIA WERDA (TUN), WOLFGANG WIRTH (AUT)
Algerian Arabic for „those who burn“ (the frontiers).
Harragas are persons who run ashore.
Parallel Vienna 2017
10th floor, Room 1001
Tue 09/19 1pm-10pm
Wed 09/20 3pm-11pm Fair Night
Thu 09/21 12am-8pm
Fri 09/22 12am-8pm
THE TURN المنعرج – Art Practices in Post-Spring Societies
03/18 – 05/14/2016
artists: OMAR ABUSAADA (Syria), MOHAMED ALLAM (Egypt), NOUTAYEL BELKADHI (Tunisia), ARSLANE BESTAOUI (Algeria), IRENA EDEN (Germany/Austria) & STIJN LERNOUT (Belgium/Austria), MOUFIDA FEDHILA (Tunisia), REEM GIBRIEL (Libya), INKMAN (Tunisia), HELMUT & JOHANNA KANDL (Austria), HALIM KARABIBENE (Tunisia), HUDA LUTFI (Egypt), SELMA & SOFIANE OUISSI (Tunisia), ANJA PIETSCH (Germany), HAMDY REDA (Egypt), FATEN ROUISSI (Tunisia), TRANSPARADISO (BARBARA HOLUB & PAUL RAJAKOVICS, Austria)
curated by Christine Bruckbauer and Patricia K.Triki
The Arab Revolution held much promise. Anger at the old regime and a burning desire for political and social change caused the people to rebel. The revolution opened up possibilities and inspired new beginnings far beyond the borders. These political transformations have also caused a ‘turn’ in local art practices. Artists began to intervene in their own way and to become more vigorous participants in civil society. On the occasion of the 5 years-anniversary of the revolution, the Kunstraum Niederoesterreich and Public Art Lower Austria were presenting interventions by artists from the MENA region (Middle East and North Africa) as well as Austria. All of the projects took place in urban and rural public spaces in Tunisia and express the hopes and difficulties of the democratization process. For THE TURN المنعرج, the curators Christine Bruckbauer and Patricia K.Triki faced the challenge of presenting works initially not only intended for the public space but also participatory and process-oriented in the Kunstraum Niederoesterreich. There a number of questions arise: What remains? Can we measure the effectiveness of these projects in which international artists also took part and which were largely funded by foreign institutions? What is the role of art in times of transformation?
The conference THE TURN المنعرج on March 18 in the Kunstraum Niederoesterreich was a chance to explore these issues and other crucial questions in comprehensive discussions with artists, civilians who participated in the projects, art historians, and representatives of funding institutions from Tunisia, Egypt, Libya, Syria, Germany and Austria.
At the opening, there were three performances: Moufida Fedhila: DO NOT TRACK Halim Karabibene: COMMUNIQUÉ NUMÉRO 2: AUTOFLAGELLATION POST RÉVOLUTIONNAIRE Inkman: KINGDOM OF LETTERS, CALLIGRAFITTI
The following projects are being presented: BLASTI (Anja Pietsch & Miriam Stock), BYE BYE BAKCHICH SYSTEME (Faten Rouissi), DE COLLINE EN COLLINE (Faten Rouissi), DJERBAHOOD (Mehdi Ben Cheikh), DREAM CITY (Selma & Sofiane Ouissi), ECRIVAIN PUBLIC (Irena Eden & Stijn Lernout), LAAROUSSA (Selma & Sofiane Ouissi), LA CHRONOLOGIE (Christine Bruckbauer & Patricia K.Triki), MNAMC (Halim Karabibene), SUPER-TUNISIAN (Moufida Fedhila)