exhibition

EX-VOTO Mothering Memories

Ana de Almeida and Valeria Pechena in dialogue with Deniz Sözen

08/05 – 23/05/2026

curated by Barbara Mahlknecht

 

 

Opening: Thursday, May 7, 2026, 7 pm

 

Venue: philomena+ project room, Heinestraße 40, 1020 Vienna

Ana de Almeida und Valeria Pechena in dialogue with Deniz Sösen, Ex-Voto – Mothering Memories, photo:Valeria Pechena

The exhibition brings the sculptural works of Ana de Almeida and Valeria Pechena into dialogue with Deniz Sözen’s sound installation, exploring how displacement, pain, care and longing can be transposed into material form and dissolved, again.

At the center stands the project EX-VOTO (2026). Ex-votos are votive offerings—small objects given in gratitude or supplication. De Almeida and Pechena translate this practice into a contemporary artistic language: paraffin sculptures that oscillate between body fragment and abstract form. Working together under conditions of cohabitation and coparenting, they developed an alphabet-like repertoire that touches on the affective dimensions of flight, migration, and forced displacement. Each object carries anxiety and hope—and simultaneously offers a medium of community and care through the possibility of ritual transformation.

Deniz Sözen’s voice work extends this dimension of embodiment and ritual. In Mothering Memories (2026), Sözen conducts workshops with women particularly from Vienna’s (post)migrant community. Lullabies, memories of mother figures, mother tongues, and messages to (unborn, imagined, or inner) children are distilled into multilingual songs and texts. From these intimate collective processes emerges a sound installation—a fabric of whispers, cries, songs, and silences that makes the transformative power of multilingual mother voices tangible.

The dialogue evolving from these works examines how care networks and collective practices of as ecological systems—networks of voices, gestures, and objects connecting individual experience with collective forms of remembering, healing, and resistance. Like the ritual ex-voto, these forms embody what is carried. When pain subsides or desire is fulfilled, the object dematerializes, the ritual loses its charge. Or, when feelings are transposed into song they become a repertoire that transposed from generation to generation. What remains is the trace of what was carried, transformed, and released.

The exhibition EX-VOTO Mothering Memories is part of the broader project Mothering Ecologies, supported by Shift Basis Kultur Wien.

 

The exhibition EX-VOTO Mothering Memories is part of the broader project Mothering Ecologies, supported by Shift Basis Kultur Wien.

artists

ANA DE ALMEIDA

(*1987 in the Czech Republic, lives in Vienna) works at the intersections of memory, family narratives, and macro-political processes. Her projects have been shown at Camera Austria (2024), Belvedere 21 (2023), Kunsthalle Wien (2023), House of Arts Ústí nad Labem (2021), and Tabakalera San Sebastián (2020), among others.

VALERIA PECHENA

(*1987 in Schambyl, in Kasachstan, lives in Traunkirchen) explores questions of embodiment, migration, and collective experience through sculptural and installation-based forms. In collaborations, she develops modes of shared labor that connect individual affects with processes of societal transformation.

DENIZ SÖZEN

(*1981 in Vienna, lives in Birmingham) is an artist, researcher, and educator. Building on her PhD The Art of Un-Belonging (2019, University of Westminster), she develops decolonizing methodologies, with focuses on diasporic experience, multilingualism, and archives. She is a lecturer in Art History at the University of Birmingham.

curator

BARBARA MAHLKNECHT

is a researcher, curator, lecturer and art mediator. She served as a Senior Scientist at the Academy of Fine Arts Vienna (2020–2022) and as a supervisor and tutor at the Piet Zwart Institute/Willem de Kooning Academy Rotterdam (2017–2019). She is a PhD candidate at Goldsmiths, University of London (AHRC Fellowship). Since Feburary 2026 she is the new managing and program director of Künstler*innenhaus Büchsenhausen.

Supported by